Cars and trucks
The wrong bus
Learn the violin
Metaphors are everywhere – they can shape how we think and help us solve problems by showing us new ways of thinking. Some of the best metaphors for new thinking in health care may be out there in other domains – technology, marketing, or business. Peter Drucker, one of the best known thinkers and writers on the philosophy of management was once asked how to be a better manager, his response was “Learn how to play the violin”. He likely would have answered the same if someone asked how to be a better therapist.
Learning to play the violin is a metaphor of course.
What does it mean to you?
-NOI Group
I wonder if Peter Drucker can play the violin? If anyone were to take him literally to find out what he meant, they might find themselves taking a bit of a gamble because many people teach the violin without really understanding what is involved. For anyone who does know, it means to take a project that is enormously complex and to organise it into a step by step process. Mr Drucker knows that some people are just not cut out for management (seriously undervalued), hence the metaphor.
The problem for treating using a BPS model in a private practice and going against a “damage” paradigm, is I feel I am on the right bus but the upkeep is very costly and apart from a certain pride in my ethical stance, I am not even sure that I will just end at the same destination.
As a SIM, it takes time and patience to learn but the end result will be a beautiful sound to the ears of those that like violins 🎻
As a DIM, it conveys hopelessness in that it’s as hard as trying to learn to play the violin 😡
Matching metaphors to people is the real skill
DB Enjoying a glass of 🍷
METAPHOR be with you!
The first thought that jumped to my mind in terms of the violin metaphor is this:
Assuming we have all learned the violin ( are trained physios) – we can each be given the same score of music (patient) – but the sound that comes from us and therefore “heard” by our patients may be completely different. We need to be intentional with the sounds/knowledge that we are making/giving specific to the audience who is receiving it in order to have the greatest impact . .. (do you want it to sound lovely and inviting or fierce and abrupt – the experience will be vastly different based on how we approach it . .)